Archive for June, 2010

Antique Four Patch

Wednesday, June 30th, 2010

Today the quilt top I’m pulling from the quilt top cupboard is an antique Four Patch.

The top is hand pieced and dates to around 1930’s-40’s.   It’s very scrappy and contains indigos, cadet blue, homespun plaids, ginghams, florals, shirtings, and geometrics.

The quilt top has a relaxed, country feel. It has four patch blocks alternating with squares.

The hand pieceing is quite nice with tight even stitches.

Some of the fabrics appear to be older dating to the late 1800’s.  I don’t think they’re that old though?  A lot of the indigos, ginghams, and cadet blues were reproduced in the 1930’s-1940’s.

This portion of the quilt has quite a few of the “newer” looking depression era fabrics.

The next portion looks a bit older?

If fabrics were used from the quilter’s scrap bag they could represent quite a long time span.

The scrap bag would contain off cuts from making clothing, and scraps from other quilt projects. It might also contain the good portions of fabrics that were saved when clothing items were too worn to wear, or outgrown. During the depression years nothing was wasted.

Scraps were also sold by Montgomery Wards and Sears and were sold by the pound.

I can just imagine how excited those quilters were to open their parcel and see what they got.  ;)

There are several “poverty patches” in the blocks.

I always enjoy seeing the poverty patches..(where two pieces of fabric are joined to get a piece of fabric large enough to cut the pattern piece from)..because they show that the quilter of yesteryear was making use of every bit of fabric she had.

In the pic with the tape measure, you can see a piece of fabric about 1/4″ wide that was pieced in.

I find those bits very endearing and think maybe they should be called “determination patches” or something that sounds a bit more positive?  :)

EDIT: Thank you for bringing to my attention that I forgot to post the size of this one in your comment Judy. It measures  64″x72″.  A generous throw..or with the addition of a border or two..bed sized.

Antique Carpenter’s Wheel

Wednesday, June 23rd, 2010

Today the quilt top I’m pulling from the quilt top cupboard is a Carpenter’s Wheel pattern.

It dates to the 1940’s-50’s, and is hand pieced.  Piecing this block can be a bit tricky.  This is one block where accurate seam allowances matter.  I wonder if that’s why the top was hand pieced..or did our quilter of yesteryear just prefer hand piecing?

The blocks are set block to block with no sashing in between.

The blocks are 15″ finished.  They are set together with bright canary yellow and the quilter used purple as her neutral.

The fabrics have polka dots, plaids, stripes, ginghams, and florals.  There’s a fabric that appears to have the faces of clocks or gauges?  There’s a dark gray with scissors and sewing implements on it too.

The color palette contains reds, green, pinks, gray, various blues, and teal along with the yellow and purple.

The quilter was pretty adventurous with her colors/fabrics? ;)

The top measures 60″ x 75″.  With the addition of a border or two it could be made bed sized.  As is..it’s a generous throw size.

NQA Quilt Show 2010

Sunday, June 20th, 2010

I was lucky enough to go to the NQA quilt show in Columbus Ohio on Friday.  It was my first time attending, and I was told there would be LOTS of Vendors.  My dear Husband took a vacation day and we drove down.  It was about a 2 1/2 hour drive.

As soon as we entered the building a sweet looking older lady approached us and stood right in front of DH and read his T shirt out loud.  It said  “I got an old pickup for my wife…has a picture of a truck, and under it says..best dang trade I ever made!”  She said..”you’ve got a lot of nerve wearing that shirt to a Hen party buddy!”  We all had a good laugh..and she wasn’t the only one who commented on that shirt. LOL

I hit the Vendors first, because I figured I’d get the best selection..and the quilts weren’t going anywhere?  ;)   DH carried my tote bag.  He travels a lot for his job and is an excellent packer. I do believe he was able to take advantage of every square inch in that bag?  :)   He looked over the long arm machines and test drove them, checking out the various systems and how they were engineered.  Right now that’s a “maybe someday…” item.  ;)

I was thrilled to meet Barb and Mary of Fun With Barb and Mary and Shasta of High Road Quilter .  DH took a pic of Barb, Mary and I, but sadly I didn’t get a pic of Shasta because our meeting was a bit more brief and unplanned.

I forgot to tell Barb that I had just gotten my hair all chopped off in March and I’d look different.  We had swapped cell phone numbers and she happened to call when we were very near each other. She heard our phone ring and  really surprised me when I answered the phone and she came right over to talk. LOL  Both Barb and Mary were delightful and it would have been fun to spend more time together.

Barb had two wonderful quilts entered in the show. The Hex Vex that’s in the header of their blog, and Supercalifragilisticexpialidocious.  It was a treat to see both of these quilts in person! Both were gorgeous.  I enjoyed seeing the fabrics up close and her work is exquisite.

I was surprised at how the quilts were judged.  They had Bed Quilts Pieced, Bed Quilts Appliqued, Bed Quilt Mixed Techniques, Wall Quilt Pieced, Wall Quilt Appliqued, Wall Quilt Mixed Techniques, Art/Innovative quilts, Scrap Quilts, Duet Quilts-bed, Duet Quilt-wall, Group Quilt.  There were some gorgeous quilts that sure looked like Blue Ribbon quilts to me, but they didn’t get ribbons. One in particular was shocking to me. It was a spectacular Baltimore Album, heavily hand quilted.  The maker had to be broken hearted that her beautiful work didn’t get any recognition?

I talked to one of the “white glove” ladies who told me that the quilts are not separated into machine or hand done. They are all lumped together in their size category.  IMHO they should be separate because they have such different skills involved?  The heavily quilted machine done quilts were beating out the hand done competition. That’s such a shame! I appreciate quality machine work which requires a set of skills that I don’t have, but  quite a few gorgeous hand done quilts didn’t get the ribbons they should have, simply because of lumping together.  It’s the first time I’ve seen it done that way and I wish it were different.

NQA show judges/organizers…if you’re out there..I’d love to know why the judging of hand/machine work  isn’t separated?

A big thanks to DH for taking me to the show, and for spending the day with me..doing something special just for me. He  packed and repacked my tote bag and shlepped it around all day with no complaining.

The construction around the event made finding our way onto the expressway for the trip home a challenge, making the day a bit longer than he would have liked, I’m sure?  I wonder if he’ll offer to take me next year? ;)

Antique Grandmother’s Fan

Wednesday, June 16th, 2010

Today the quilt top I’m pulling from the quilt top cupboard is a Grandmother’s Fan.  It dates to the 1930’s-40’s, and is hand pieced and hand appliqued.

The fans are scrappy and they’re appliqued onto a good quality muslin.

The fans are made from a variety of prints from the era, but one blade stands out because it’s a black print.  Quite a bit darker than the cheerful pastels of the other blades?

The sashing is made up of three strips of fabric, with the fabric placement reversed in the setting squares, forming a nine patch.

This style of sashing is very common in older quilts.  I find it very attractive and has the bonus of making a quilt top increase in size quite a bit.

There is still basting thread in the fan blades holding the outer edges under even though they have already been appliqued in place.

It looks as though the top was just finished and the quilt maker has just stepped away for a minute?

The quilt top is clean, and is ready for quilting after a good pressing to remove the fold lines.  I don’t have any immediate plans for quilting though.  :)

NOTE:  Janet asks about the odd setting of the blocks in this quilt in the comment section.  I’m not sure why the blocks are set this way…any thoughts?  :)

Buying a Quilt Kit….

Monday, June 14th, 2010

For some time now, I’ve been collecting black and cream/tan  repro fabrics, and shirtings.  Then I started collecting small bits of burnt orange repro fabrics.  My goal…to make a quilt or two with that color combo.  I like the combo and they’d look great for decorating at Halloween time.

When I have a future project in mind I keep an eye out for fabrics that will fit in, and get them while they’re available.  If I wait..they’ll be gone!  The bad part is…if I wait too long to start the project..I accumulate far more fabric than I need.  Do you ever do that?

I saw a pattern I really liked. Then I saw someone post pics of their progress with the pattern and I was hooked.

The pattern is Hallowe’en 1904 by Blackbird designs.

I found an online quilt shop with the pattern..and a kit on sale.

The price seemed right (the fabrics end up costing around $6.70 yd) and the pattern is included.

I’ve never bought a complete quilt kit before, but I thought it would be nice to have..and I could add in my own fabrics for a bit more variety if I chose to?

When my kit arrived I was excited to see what I got.

The five fabrics on the right were in the kit, but I don’t think I’ll use them?  The two shirtings are ecru with red, the plaid that looks rust in the pic is actually a bit more red than I’d like for this quilt, and the one black is more of a gray.  The other is a bit busy and has red in as well.

So…all in all, not too bad?  I’m sure I’ll find a different project to use the fabrics I culled..and I have plenty of stash fabrics to use in their place.  BUT..if I were relying solely on the fabrics sent to make the quilt from, I don’t think I’d be happy with the red that was included?

I bought the “starter kit” of fabrics for the Princess Feather quilt I made and culled several of the fabrics in that kit too.  Then I replaced them with others I liked better.  Am I too fussy?

I’m wondering if shops have a hard time finding enough of a variety of fabrics when pulling from current fabric lines to make kits, so they  add in a “clinker” or two? If they had more available would they have used those “clinkers”? What has your experience been with quilt kits?