Archive for July, 2010

Red and Blue What’s It?

Wednesday, July 28th, 2010

Today’s post is a little short.  I’ve received my biopsy results and it wasn’t good news.  Now I’m waiting to see if my insurance will approve the surgery I need. I don’t like the waiting game….I’m not in a real good state of mind.

The piece I’m posting today is a “what’s it”?  Please forgive my photography..it wasn’t easy to get a pic of the whole thing.

I found this piece at the end of the day at a yard sale. It had a tag on it that said $2.  I figured a quilt top was worth that, bought it, and brought it home.

When I opened it out I was surprised to see that it was narrow and very long.  Too long to be a bed quilt.

The blocks are 4″ finished and the piece measures at roughly 44″x 180″.  The piece is machine sewn.

It’s hard to guess the date it was made because the fabrics are a solid color.

If I split the piece in half and arranged it as a square it would be around 88″x 90″.  Queen bed sized.  I probably won’t do that..as I don’t find the piece all that attractive. Is it OK to say that? ;)

I’m wondering what it was intended to be?  Any thoughts out there?

String Quilt

Friday, July 23rd, 2010

I’ve just finished a string quilt. It measures 82″x 96″.

It has a story..and it’s not a happy one.

Last Fall my son said he could use a new quilt..his was getting worn.  He uses his quilts hard..not leaving it on the bed, but taking it wherever he goes.  He also has two large dogs that sleep on the bed.  A quilt with fine hand quilting seemed a bit silly? So much time invested in something that would “used up”.

I had just finished the hexagon Leap Frog quilt. The color scheme had been pulled from a piece of fabric my son had gotten me for Christmas.  I thought a String quilt made from those same fabrics would be nice, ..and I could machine quilt it, just as I did the hexagon quilt?  I was sure he’d like the colors/fabrics since they were pulled from a fabric he chose?  I used fabrics without any flowers, so it would have a masculine feel.

I saved up my junk mail so I could use the paper as a foundation for piecing my blocks.

It’s free..and I sure do get a lot!  I might as well put it to good use?

I folded the paper so I could get a square and trimmed off the extra.

I was ready to sew!  When foundation piecing through paper set your stitch length a little shorter to perforate the paper more for easy removal..and so the stitches don’t pull.

I cut my stripe fabric into strips that were 2″ wide.  Then I folded them in half lengthwise so I could snug them into the fold I made on the paper.

I pinned the strip in place so it wouldn’t shift and was ready to sew the strips of fabric that I had cut at 1.5″ wide.

The strips could have been cut a variety of widths, but I decided to keep them all the same.

I lined up my first strip, face down along the edge of the striped fabric and sewed a 1/4″ seam, right through the paper.

Then I opened out the fabric and ran my fingernail along the seam to crease it and keep it laying flat.  A wallpaper seam roller works great for this too.

I kept adding strips to both sides of the striped fabric until I had the paper covered.

Then I flipped the block over so I could see the paper and trimmed the edges.

Nice and neat..easy peasy.  I removed all of the paper while watching TV one evening.

Then I took all of my blocks and laid them out on the bed to arrange them so I didn’t have the same fabrics up against each other.

It was at this point that my husband came into the room and said it was the ugliest quilt he had ever seen.  Well..that sure took the wind out of my sails..and I didn’t want to give a gift that was hideous..so I tossed the blocks in a box and set them aside.

A friend asked about the string quilt I had mentioned as I was working on it later, and I told her the story.  She said it couldn’t be that bad..how about showing a pic of it? So..I posted a pic of a couple of rows sewn together on my Flickr page.

I got comments that it was pretty..and a couple of people marked it as a favorite.  By this time Christmas was over..but I started to think maybe I should go ahead and finish the quilt? It might not be that bad?

With my son’s Birthday approaching..and some little “hints” of things he might like as gifts..I decided to get that quilt put together and quilted for him.  In the past I’ve given the boys money for their Birthdays so they can get whatever they wanted.  That custom sort of evolved because it was their preference, but with the “hints” I thought it was his way of telling me he’d rather have gifts?

It was now July and less than 3 weeks until his Birthday. I got the top together and borders added. I got the top basted and was ready to machine quilt it. I was stopped in my tracks when I found the quilting foot to my machine wouldn’t go on.  That foot  hadn’t been returned to me when I had the machine serviced last Summer.  I notified them right away and they sent me the foot, which I put away so it wouldn’t get lost. To my horror..I found they had sent me a foot for a different model!

OK..now I have 2 weeks until his Birthday and there’s no way I can get a replacement foot in time. I fiddled with other feet..and found the machine still had the problems I thought had been fixed. This quilt is NOT going to be machine quilted.

I decided to try big stitch quilting.  I’m not a fan of tied quilts, and didn’t think it would hold up to heavy use?  Big stitch quilting seemed to be the best option? I wanted to try it anyway.

I had a ball of aqua crochet thread here that I thought would work great? Surely 175 yards would be enough?

I looked through my supply of needles and found a Tapestry needle with a big enough eye to get the thread through.

I started my stitching and quickly realized the needle had a blunted point.

It made the stitching very difficult. I zipped out to the store and got a pack of Chenille needles. A size 22.  They are nice and sharp and made the stitching much easier.  I found the needle a bit difficult to pull through the layers, so I cut the tip of a finger off a latex glove and wore that as I stitched.  It made a world of difference!

I decided to stitch along each side of the stripe first and I’d go back and do more quilting in each block later.

Our temps here were HOT. It was in the 90’s and we don’t have central air.  Normally I don’t quilt in the Summer and do applique projects instead, but I had a deadline…so I sat the fan right in front of me and stitched like a mad woman.

I ran out of the blue once I got all of the stripes quilted so I had no choice…I switched to white crochet thread.

My son was here several times while Iwas working and never made a comment.  That’s not unusual. The guys rarely say anything about my quilts.

On the Friday before his Birthday he brought his dogs over for me to watch for the weekend. He was going out of town to a friend’s lake for the annual boat races.  He asked me if I was going to give him money for his Birthday..and I was surprised..but said “No…I got the feeling you might like gifts better?  I bought you something..and I’ve been making this quilt for you.  Why?..Would you have preferred the money?”  He said..”Well..I really could use it…and I was hoping I could get it early. ” I was a little stunned, but..I gave him the gift I had bought and $50 and he went on his way.

I felt gutted.  I’d been working my tail off in extreme heat for 3 weeks…and he’d rather have “beer money”?  Maybe he thought the quilt was ugly too?  I thought my gift from the heart and from my hand would be appreciated..and maybe even loved? Maybe he thought I’d give it to him anyway..so why not get the money too?

It made me wonder..do I place a lot more importance on the act of making and giving a quilt than the recipient does? It’s not the first time I’ve given a quilt as a gift and it wasn’t appreciated.

On Monday I went in for three biopsies. Possible skin cancer.  I was told I’d get the results in about a week.  I was already feeling hurt..the rejection of the quilt felt like a rejection of me too.  Now my body and face were wounded too…and the thought of facing a nasty surgery on my face has been heavy on my mind.

I’ve been wondering…why do I spend so much time, energy, and money on quilting? Is it just time and resources wasted? My family doesn’t seem to care for the type of quilts I make. Is continuing to make them madness?

After a LOT of thought…no.  I don’t think so?  While it may not make sense to some…having a needle and thread in my hand is calming.  Touching and seeing the fabrics, their colors, their designs..feeds my soul.  The texture of the quilting..the dimension it adds to the piece, The rhythmic up and down of the needle as it sews, the vast number of blocks, settings, color combos, and techniques keep my brain active. There’s always  a new challenge for me if I feel like I want one. I can also do tried and true favorites.  They’re like like familiar friends. I like learning the history of fabrics and patterns..and a lot of women’s history is written through needle and thread.  AND I like to think about the person I’m making the quilt for.  Actually, quilting allows a lot of time for quiet contemplation.  I’ve worked through a lot of things that were heavy on my mind while quilting.

I spend a lot of time alone, due to my husband’s traveling for his job.  Quilting gives me a reason to get up in the morning.  It allows me to have some control over some things, while I can’t have control of a lot of the things that happen around me.  I quilt because I NEED to.

Sorry this post was so long….sometimes you just have to let things out..get them off your chest?

Wholecloth Tied Quilt

Wednesday, July 21st, 2010

Today the quilt I’m showing hasn’t made it to the quilt top cupboard yet.  I bought it at a town wide sale in Metamora Michigan this past Saturday.

The quilt is a wholecloth tied quilt, meaning it’s made from large whole pieces of fabric which isn’t pieced into a quilt pattern.  The print on the cloth looks like a pieced quilt pattern though.

The quilt has the same fabric on both front and back, contains a thin cotton batting, and the layers have been tied together using a variegated crochet cotton.

The quilt has a piece of fabric applied at the top on both sides stitched down with the same variegated crochet cotton.  It appears to have been added at about the same time the quilt was made?

I have read that women used to add beard protectors to the top edges of their quilts, and I’m assuming that’s why the fabric was added here?

I decided to remove the fabric and see what the quilt looked like underneath. The protective cover did it’s job. The quilt was perfect underneath.

The edges of the quilt have been turned under and the top and bottom joined with a knife edge finish.  They’re held in place by an embroidered feather stitch done with the same variegated crochet cotton used throughout the quilt, instead of having binding.

I was delighted to find that the edges were finished the same as the rest under that protective fabric.

I would date this quilt to around 1950, due to the colors in the print, the width of the fabric, and the crochet thread that was used.

The fabric is a beautiful quality percale which feels soft, smooth, and cool to the touch.

The lengths of fabric used to make this quilt are 36″ wide.  They’re seamed together so that the seam runs down the length of the quilt.

The quilt measures 71″x 87″.  It’s clean and odor free.

The price I paid for this quilt is pretty unbelievable.

The man selling this quilt had sheets spread out on his lawn which were loaded with all sorts of things for sale.  As I approached to see what he had he called out that everything was 3/$1.  I saw the quilt folded up and asked..”are you sure? Everything?”  He assured me he meant everything..he just wanted it gone!  I looked through what he had and found a clean looking plump down pillow, which I thought might be a nice insert for a decorative pillow and my husband found a hard fishing pole case to make an even 3 items.

I can’t imagine getting rid of something so nice and still useful for so little..but we all felt we had made a good deal. :)

Vintage Tumbling Blocks

Wednesday, July 14th, 2010

Today the quilt top I’m pulling from the quilt top cupboard is a Tumbling Blocks design.

The top dates to around 1910-1940’s, and contains fabrics from a pretty good time  span.  The fabrics were most likely taken from a scrap bag that contained scraps from sewing clothing or other quilts.?

The mourning prints were first popular in the 1860’s, but were reproduced in the 1930-40’s.  These prints seem to be the newer ones?

The quilt top contains mourning prints, Cardinal reds, Turkey reds, shirting,   gingham, plaid, a few florals,  homespuns, a couple of large scale black and white prints, and chambray.

There are quite a few poverty patches.

When the scraps a person had weren’t large enough to cut the pattern piece from, they sewed the bits together to get a piece of fabric large enough to get the shape they needed. These were/are called poverty patches, but to me they are determination patches and it always warms my heart to see them!

One thing I find very unusual about this top is that it’s all machine pieced.

This pattern has a lot of set in seams, which can be difficult to sew.  It’s more common to see a Tumbling Blocks pattern hand sewn, and some prefer to paper piece for accuracy.

The top is also interesting because the placement of the lights, mediums and darks changes position throughout the top.   If these were real stacks of blocks it would be hard to tell which direction the light source was coming from?

The top measures roughly 70″x74″.  A bit large for a throw..but with the addition of a border or two, it could be made bed sized.  :)

Antique One Patch

Wednesday, July 7th, 2010

Today the quilt top I’m pulling from the quilt top cupboard is a simple one patch.  The pieces are all the same size and contain lights and darks, but don’t form a particular pattern.

The quilt top is hand pieced and dates to 1880’s-1910.  The fabrics are indigo, shirting, homespun plaids and checks, Cardinal reds, Turkey reds,  mourning prints, double pinks, and chambray.

There are several prints with a black background with bright pink, chartreuse, and electric blue, exotic colors for the period.   These prints are a relief from the more common mourning prints of the era which are black and white.

Mourning prints appeared after Prince Albert of England died in 1861, and Queen Victoria went into heavy mourning.  They were also worn in mourning for fallen soldiers during and after the Civil War. These dark colors remained common through the turn of the century.

The quilt top was sewn together in sections.  Perhaps this made it easier for the quilter of yesteryear to handle..or broke up the monotony of sewing long seams?

The section at the top of the quilt appears to have gotten turned around from the orientation it should have had?  This area along with the section twelve squares in from the left throw off the alternating light/dark fabric placement.

I don’t know if this was accidental..or if the maker didn’t care about having a pattern to her color placement? As you can see, the squares don’t line up in this section either?

When I see anomalies like these it makes me wonder if the same person did all of the sewing, or did someone else sew the pieces together to make a functional piece from a UFO? (unfinished object)

The quilt top is in very good, clean condition with tight seams.  The squares measure about 2″ finished and the top is around 80″x 94″.  It’s not a valuable piece to serious quilt collectors, but to lovers of fabrics like me, it’s a treasure.