Posts Tagged ‘shirting’

Vintage Tumbling Blocks

Wednesday, July 14th, 2010

Today the quilt top I’m pulling from the quilt top cupboard is a Tumbling Blocks design.

The top dates to around 1910-1940’s, and contains fabrics from a pretty good time  span.  The fabrics were most likely taken from a scrap bag that contained scraps from sewing clothing or other quilts.?

The mourning prints were first popular in the 1860’s, but were reproduced in the 1930-40’s.  These prints seem to be the newer ones?

The quilt top contains mourning prints, Cardinal reds, Turkey reds, shirting,   gingham, plaid, a few florals,  homespuns, a couple of large scale black and white prints, and chambray.

There are quite a few poverty patches.

When the scraps a person had weren’t large enough to cut the pattern piece from, they sewed the bits together to get a piece of fabric large enough to get the shape they needed. These were/are called poverty patches, but to me they are determination patches and it always warms my heart to see them!

One thing I find very unusual about this top is that it’s all machine pieced.

This pattern has a lot of set in seams, which can be difficult to sew.  It’s more common to see a Tumbling Blocks pattern hand sewn, and some prefer to paper piece for accuracy.

The top is also interesting because the placement of the lights, mediums and darks changes position throughout the top.   If these were real stacks of blocks it would be hard to tell which direction the light source was coming from?

The top measures roughly 70″x74″.  A bit large for a throw..but with the addition of a border or two, it could be made bed sized.  :)

Antique One Patch

Wednesday, July 7th, 2010

Today the quilt top I’m pulling from the quilt top cupboard is a simple one patch.  The pieces are all the same size and contain lights and darks, but don’t form a particular pattern.

The quilt top is hand pieced and dates to 1880’s-1910.  The fabrics are indigo, shirting, homespun plaids and checks, Cardinal reds, Turkey reds,  mourning prints, double pinks, and chambray.

There are several prints with a black background with bright pink, chartreuse, and electric blue, exotic colors for the period.   These prints are a relief from the more common mourning prints of the era which are black and white.

Mourning prints appeared after Prince Albert of England died in 1861, and Queen Victoria went into heavy mourning.  They were also worn in mourning for fallen soldiers during and after the Civil War. These dark colors remained common through the turn of the century.

The quilt top was sewn together in sections.  Perhaps this made it easier for the quilter of yesteryear to handle..or broke up the monotony of sewing long seams?

The section at the top of the quilt appears to have gotten turned around from the orientation it should have had?  This area along with the section twelve squares in from the left throw off the alternating light/dark fabric placement.

I don’t know if this was accidental..or if the maker didn’t care about having a pattern to her color placement? As you can see, the squares don’t line up in this section either?

When I see anomalies like these it makes me wonder if the same person did all of the sewing, or did someone else sew the pieces together to make a functional piece from a UFO? (unfinished object)

The quilt top is in very good, clean condition with tight seams.  The squares measure about 2″ finished and the top is around 80″x 94″.  It’s not a valuable piece to serious quilt collectors, but to lovers of fabrics like me, it’s a treasure.

Antique Rail Fence

Wednesday, May 26th, 2010

Today the quilt top I’m pulling from the quilt top cupboard is a Rail Fence design.  It might also be called a Basket Weave pattern, due to the random color placement.

The top is hand pieced and dates to around the turn of the century (1898 ish).

The top is made from mourning prints, indigos, cadet blue, crimson, and shirting.  It also contains one cheddar gold strip which is made from pieces sewn together, a “poverty patch”.

One might wonder…why did the maker use just one piece of the cheddar gold..especially if she had to piece it to get the right size?  I think it’s in support of McKinley’s push to have our money system backed by the Gold Standard during his Presidential campaign?

Mayleen of “QisforQuilt” posts a pic of a top that Terry Clothier Thompson uses in her quilt history talk, which contains one gold piece. In her talk, she tells that women often voiced their political views through their quilts.  I wonder if the “menfolk” knew the women in their lives had opinions on the political events of the day..and were voicing them through their quilts..or was it like a “secret hand shake”? ;)

Women didn’t have the right to vote until the 19th amendment was passed in August of 1920.  They couldn’t vote, but they did support the candidates they believed in.  Quilts were often used to voice a woman’s political preferences.

It seems to me, this one gold piece is so deliberate, it must be one of the quilts/tops that were made to support the gold standard?

I posted a top when I first started my blog that had one gold piece.  I mused at the reason for it when I posted it.  I have since learned of the gold standard story and it makes sense to me that these quilts are examples of political quilts?

Here I show a couple of additional pics so you can see the fabrics used.

They’re just ordinary fabrics of the era, probably gathered from a scrap bag?

The red, white, and blue color scheme also seems like a political statement to me?

Antique Broken Dishes

Wednesday, May 12th, 2010

the quilt top cupboard006
The quilt top I’m pulling from the quilt top cupboard today is a Broken Dishes pattern in a zig zag setting.
The quilt top contains chambray, indigos, gingham, plaids, and shirting fabrics, which puts the date it was made at around 1910 or a bit later. These fabrics were very popular at that time.

As you can see, this top has some damage to it. The borders are torn and the bottom left corner is missing.
The top shows some wear. At first I thought maybe the top had been finished as a tied quilt and then at a later date taken apart, but I don’t see evidence of holes from the ties.
Antique Pink and Blue Broken Dishes002
It really makes me wonder what happened to this top? Was it used by children to play with? Was it thrown over a clothes line or table to make a fort? Was it used as a cover on a piece of furniture?
Whatever it’s story is…it’s a shame the top has been damaged. I love the colors, design and setting of this top. In my opinion, every block looks more important when it’s set on point. The quilt seems to be a bit more interesting set in the zig zag setting than the blocks would have been as a straight set?
Antique Pink and Blue Broken Dishes003
The blocks are machine sewn and are finished at 7″. The piecing is very well done in the blocks. At some point I’ll probably edit the top to remove the damaged bits and quilt it? :)

Strawberry Fields Quilt Along

Sunday, May 2nd, 2010

As soon as Lori posted the pics and piecing info for the Strawberry Fields blocks on her blog I just had to jump in and piece a trial block.
Strawberry Fields samples002
What fun little blocks!
I decided to piece my blocks a bit scrappy so they looked like they were made from bits of fabrics pulled from a scrap bag.
Strawberry Fields samples004
I pieced one of my black pieces so it would look like a poverty patch. I always enjoy seeing those in antique quilts.
I used a variety of shirting prints too.
In one block I used a solid piece of fabric with a puppy in the center, instead of piecing that like the rest of the blocks.

Strawberry Fields samples003
I had a lot of fun changing little things in the blocks.
When you are doing blocks with all of the same pieces, but change the color placement in some, they are called renegade blocks. I always enjoy seeing those in quilts too, so I had to add some.
Strawberry Fields samples005
This little quilt has two half blocks in it. Lori showed how to piece those, but didn’t show how she trimmed them, so I thought I would mention it for those of you who may not be familiar with working with half blocks. You can’t just make a block and cut it in half. It won’t be the right size when you go to sew the blocks together.
Strawberry Fields blocks001
To trim your half blocks, line up the points of the block with the cutting lines on your cutting mat.
Strawberry Fields blocks003
Lay your ruler so that the 1/4″ mark is laying on the grid line. Then make your cut along the edge of the ruler.
Strawberry Fields blocks004
This will give you the additional 1/4″ your block needs when you set your blocks together for the zig-zag setting.

I have my blocks completed and I look forward to setting the blocks together! :)